Here's a beautiful microtonal Aphex Twin piece that wouldn't work without it: Īnd a beautiful classical electric organ piece from 1980 by Terry Riley of which you would have to say the same: In this video, Nate showcases the four new instruments - the iconic Korg MS-20, the classic SQ-80, and Arturias new hybrid plugins Augmented Strings and Augmented Voices. There is a multitude of technical, artistic, historical and cultural reasons as to why it's a good move to support microtuning. Here at Sonic Academy, we get a first look at the newly released Arturia V Collection 9, and who better to take us through whats on offer in this bundle than Protoculture. This week we welcome back Matt Thomas aka King Unique for an in depth look at the brilliant Arturia vst emulation of Dave Smiths classic synths the Prophet 5 and the Prophet VS. Here's deeper discussion as to why forcing composers to use only a standardised 19th century western piano tuning is a bad thing: Now that I play almost always on my Morph and Linnstrument, the V Collection is functionally obsolete for me. I too consider MPE for the V-Collection instruments to be the most valuable thing that Arturia could expend time and money on for the future. Huge props to manufacturers like Sequential/DSI, KORG, Novation, Roli and Ableton for supporting non-'standard' tuning! Arturia, catch up! Re: V Collection and MPE « Reply 6 on: September 29, 2021, 09:32:17 pm ». Here's an easy to understand interview between a synth designer at KORG and Aphex Twin (arguably the 'Mozart' of electronic music) where they talk about microtuning: Quote from: euklides on July 27, 2022, 04:31:38 pm This instrument is also part of the V Collection -your complete dream line-up of the legendary synths, organs, pianos and more that made keyboard history.

Arturia v collection 5 academic